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Thursday, February 25, 2010
Wednesday, January 20, 2010
How Not to Write a Novel
How Not to Write a Novel: 200 Mistakes to Avoid at All Costs If You Ever Want to Get Published by Howard Mittelmark and Sandra Newman
I enjoyed this book a lot. I laughed out loud while reading it. Many times. Was it valuable? That's hard to say. Much of the content is aimed, I choose to think, at poorer writers than I. But, boy, was it fun to read.
"How Not" was written by a couple of editors who have seen the same mistakes over and over again. Every tip they give is illustrated with a sample, written atrociously with great wit, which will have you smiling, chuckling, or howling out loud.
Much of the book deals with fairly blatant, glaring mistakes. Don't start the novel with a long, detailed, pointless description of a place or of somebody's childhood. Don't lecture your readers about the evils of whatever it is you dislike. There isn't much real value there to a writer who isn't a hack, except for entertainment value.
Toward the end of the book the tips become more advanced and the tone changes. The early stuff has a "skewer the morons" tone. Later on, there are some serious discussions of writing. Parts of it are actually thought-provoking, instead of laugh-provoking.
Overall I didn't get a huge amount from the book. I'm not making most of those novice mistakes. It is, however, a readable and insightful tome, and I recommend it to beginning and intermediate unpublished novelists.
I enjoyed this book a lot. I laughed out loud while reading it. Many times. Was it valuable? That's hard to say. Much of the content is aimed, I choose to think, at poorer writers than I. But, boy, was it fun to read.
"How Not" was written by a couple of editors who have seen the same mistakes over and over again. Every tip they give is illustrated with a sample, written atrociously with great wit, which will have you smiling, chuckling, or howling out loud.
Much of the book deals with fairly blatant, glaring mistakes. Don't start the novel with a long, detailed, pointless description of a place or of somebody's childhood. Don't lecture your readers about the evils of whatever it is you dislike. There isn't much real value there to a writer who isn't a hack, except for entertainment value.
Toward the end of the book the tips become more advanced and the tone changes. The early stuff has a "skewer the morons" tone. Later on, there are some serious discussions of writing. Parts of it are actually thought-provoking, instead of laugh-provoking.
Overall I didn't get a huge amount from the book. I'm not making most of those novice mistakes. It is, however, a readable and insightful tome, and I recommend it to beginning and intermediate unpublished novelists.
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